On the journey to writing a screenplay
These days I am fully committed to researching and writing a screenplay about desertion and rebellion and everything amok during the Philippine-American War, during the general time frame of 1898-1910, although the end date could allude to what follows in the 1920s, 30s and beyond. I have found some wonderful characters in a deeply reticulated chain of conflicted situations, and I feel passionate about the project. In writing this screenplay I am pondering many difficult and unknown areas of thinking (for myself) about story structure, anti-hero characters, forgiveness, and complex interweaving of story lines. I came across Billy Wilder’s ten rules–in my plebian words, “make them pay attention and make them care.†Here are Billy Wilder’s ten rules — old fashioned but mighty fine.
- The audience is fickle.
- Grab ’em by the throat and never let ’em go.
- Develop a clean line of action for your leading character.
- Know where you’re going.
- The more subtle and elegant you are in hiding your plot points, the better you are as a writer.
- If you have a problem with the third act, the real problem is in the first act.
- A tip from Lubitsch: Let the audience add up two plus two. They’ll love you forever.
- In doing voice-overs, be careful not to describe what the audience already sees. Add to what they’re seeing.
- The event that occurs at the second act curtain triggers the end of the movie.
- The third act must build, build, build in tempo and action until the last event, and then—that’s it. Don’t hang around.
It’s a deep journey but that’s the reward.